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Guy Nattiv & Carrie Coon On Finding Empathy In ‘The Liberation’: “Who Are We To Say What Is Required For Someone To Move On?” — Contenders London
Oct 10, 2026

Guy Nattiv & Carrie Coon On Finding Empathy In ‘The Liberation’: “Who Are We To Say What Is Required For Someone To Move On?” — Contenders London

Writer-director Guy Nattiv and actress Carrie Coon joined Deadline’s Contenders London event today where the pair discussed making The Liberation, a very personal story inspired by real events from Nattiv’s own grandmother. The film, which Bleecker Street is releasing in in the U.S. in January, is set in the early 1980s where Rita, a depressed […]

Netflix Romance ‘Love Untangled’ Director Namkoong Sun on Netflix Freedom and the Funding and Distribution Gap in Korean Indie Film
Oct 10, 2026

Netflix Romance ‘Love Untangled’ Director Namkoong Sun on Netflix Freedom and the Funding and Distribution Gap in Korean Indie Film

Namkoong Sun, director of Netflix’s Korean romance “Love Untangled,” said her first commercial feature felt little different from her independent films once cameras rolled, apart from the scale. The freedom, she added, came with weight. Namkoong was speaking at “New Voices in Film,” an industry panel staged by the Busan International Film Festival and Netflix […]

Siân Heder & The ‘Being Heumann’ Crew On Creating An Inclusive Film & Production Environment — Contenders London
Oct 10, 2026

Siân Heder & The ‘Being Heumann’ Crew On Creating An Inclusive Film & Production Environment — Contenders London

“I think we created history,” Being Heumann producer Kevin Walsh concluded this morning during a Q&A session at Deadline’s Contenders London. The veteran producer wasn’t speaking specifically about the feature film, but the accessible environment he and director Siân Heder created on the film’s set. “We are as proud of that as we are of […]

Pick Some Random Things And We'll Tell You Which Olivia Colman Character You're Most Like
Oct 10, 2026

Pick Some Random Things And We'll Tell You Which Olivia Colman Character You're Most Like

How many queens has this woman played? View Entire Post ›

‘Wildwood Director’ Travis Knight On LAIKA’s Stop-Motion Fantasy Epic: “It Took Us 16 Years To Make This Movie” – Contenders London
Oct 10, 2026

‘Wildwood Director’ Travis Knight On LAIKA’s Stop-Motion Fantasy Epic: “It Took Us 16 Years To Make This Movie” – Contenders London

Travis Knight took to the stage at Deadline’s Contenders London event to explain just how much work had gone into making LAIKA’s new release Wildwood. Accompanied by cinematographer Caleb Deschanel, composer Dario Marianelli and costume designer Deb Cook, Knight revealed that the legendarily difficult stop-motion process did not exactly make life easy when making a […]

Elizabeth Chai Vasarhelyi & Jimmy Chin Talk ‘Everest: The Other Side’: “This Is The Most Difficult Film We’ve Made” – Contenders London
Oct 10, 2026

Elizabeth Chai Vasarhelyi & Jimmy Chin Talk ‘Everest: The Other Side’: “This Is The Most Difficult Film We’ve Made” – Contenders London

Oscar-winning directors Elizabeth Chai Vasarhelyi and Jimmy Chin dug into the challenges of making Everest: The Other Side at Deadline’s Contenders London event on Saturday. The heart-stopping documentary follows the quest of mountaineer-skiers Jim Morrison, who joined them on stage, and Hilaree Nelson to scale the North Face of Mount Everest and the ski down […]

‘Decision to Leave’ Cinematographer Kim Ji-yong on Chasing Natural Light for Lee Chang-dong’s ‘Possible Love’: ‘This Is the One Where We Worried, Debated and Planned the Most’
Oct 10, 2026

‘Decision to Leave’ Cinematographer Kim Ji-yong on Chasing Natural Light for Lee Chang-dong’s ‘Possible Love’: ‘This Is the One Where We Worried, Debated and Planned the Most’

When Kim Ji-yong read the script for “Possible Love,” its emotional climax, set in a still forest by the beach, had no wind in it. Korean summer storms on location changed that. The cinematographer behind “Decision to Leave” and “Squid Game” Season 2 asked director Lee Chang-dong to change the scene’s setup, a choice that […]

Hollywood Executives See Growing Market for Asian Stories, but ‘Every Movie Is Still a Fight’
Oct 10, 2026

Hollywood Executives See Growing Market for Asian Stories, but ‘Every Movie Is Still a Fight’

Hollywood’s appetite for Asian stories has broadened, but for Lionsgate’s Helen Lee-Kim, “every movie is still a fight.” Lee-Kim, the studio’s president of international, made the remark at the Busan International Film Festival’s Asian Contents & Film Market during the panel “UTA × Gold House: Hollywood & The Asian Diaspora,” moderated by Variety‘s Asia Editor […]

Why Netflix, Amazon and Other Streamers Have Not Proved Saviors for the Kids Content Industry
Oct 10, 2026

Why Netflix, Amazon and Other Streamers Have Not Proved Saviors for the Kids Content Industry

The major problem for so many kids content producers these days is getting their series financed. Many are now at Mipcom, the world’s biggest annual TV confab set to take place from Monday in Cannes, the same French Riviera city that hosts the legendary film festival. Proceedings kicked off Saturday with MipJunior, the kids & […]

Generative AI Still Needs Artists’ Judgment, Says Netflix’s Eyeline GenFX Chief James Rustad at Busan
Oct 10, 2026

Generative AI Still Needs Artists’ Judgment, Says Netflix’s Eyeline GenFX Chief James Rustad at Busan

Generative AI can widen the options for a visual effects shot, but artists still decide which of them serve the story, according to James Rustad, global head of GenFX at Eyeline, Netflix’s in-house VFX studio. Rustad made the case at an InnoAsia session “Making What’s Next: Generative AI and the Future of Filmmaking at Eyeline,” […]

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